In contrast to the free, confident brushwork of his Nassau images, Homer’s watercolors completed in Cuba (winter 1884-85) are characterized by more neutral color and finicky handling. In The Cock Fight, Homer used the simple backdrop of a plaster wall to offset his careful depiction of two decoratively feathered roosters. Although painted with atypical deliberation, the watercolor is intended to capture the fleeting moment when a battered young rooster has just vanquished an older, fully plumed male. As the fallen bird dies, feathers and dust stirred up by the battle still hover in the humid air.