Tunic

Description

The Yoruba appreciate the color variations and sparkling surfaces of beads, as well as the way that they can be combined into dazzling patterns. Beads contain àse (animating force) and become further imbued with it when worn. Today titled Yoruba men wear beaded regalia as an expression of power, status, and divine sanction. This tunic’s imagery refers to power and domination. Two male figures flank the front opening, while on the back a coiled snake sits beneath another male figure, possibly holding a shield. Around these motifs and on the sides and arms are geometric patterns. [See also 2009.581].

Provenance

Oba Dele Adeshina, Odo-Ona Ilorin, Kwara State, Nigeria, until 2009; sold to Garuba (Garaba) Konte, Albuquerque, N.M., 2009 [sales invoice from the palace of Odo-Ona of Ilorin dated April 7, 2009; import documentation dated March 10, 2019; customs permit dated March 15, 2009 in curatorial file]; sold to Douglas Dawson Gallery, Chicago, Ill., 2009; sold to the Art Institute, 2009.

Tunic

Yoruba

Early-mid 20th century

Accession Number

199858

Medium

Glass beads, cloth, and string

Dimensions

Full with and length with all beads extended while in box: 94.7 × 125.8 × 9.6 cm (37 1/4 × 49 1/2 × 3 3/4 in.)

Classification

tunic

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Purchased with funds provided by Cynthia and Terry E. Perucca; African and Amerindian Art Purchase Fund