Boy with Anchor

Description

In this work from a series of watercolors produced in Gloucester, MA, in the summer of 1873 Winslow Homer evokes the fraught nature of the local fishing industry by focusing not on the perilous work of adults, but rather the children they leave behind. In Boy with Anchor, the massive anchor pointing toward the sea foreshadows the weight of the boy’s maritime destiny. The work is an early example of Homer's talent for evoking atmospheric effects and his interest in technical variety. Presumably working outdoors, Homer layered fluent washes of blue, gray, and brown transparent watercolor over his graphite underdrawing to flesh out the beach and sky. He built up the hot, pebble-studded surface of the beach by using dense gouache to draw textural detail and created the broken cloud pattern in the sky by lightly blotting his wet blue wash. The picture’s formal tensions between warm and cool colors, outline and wash, and transparency and opacity mirror the emotional tension of the scene.

Provenance

John M. Hay [1838-1910], former Secretary of State, Washington, D.C. (?-?); Mrs. C. E. Meder (a household employee of John M. Hay), Kirtland, OH, sold to The Cleveland Museum of Art. (?-1954); The Cleveland Museum of Art, Cleveland, OH. (1954-)

Boy with Anchor

Winslow Homer

1873

Accession Number

1954.128

Medium

watercolor and gouache with graphite

Dimensions

Sheet: 19.4 x 34.9 cm (7 5/8 x 13 3/4 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Norman O. Stone and Ella A. Stone Memorial Fund