Early Morning After a Storm at Sea

Description

The powerful Atlantic surf pounding against the desolate coast of Prouts Neck, Maine, provided primary subject matter for the dramatic paintings that Homer created during his final decades. This example, which the artist proclaimed as "the best picture of the sea that I have painted," was initially conceived as a watercolor. Undertaking the composition in oil after a lapse of nearly two decades, Homer patiently waited for the appropriate atmospheric conditions, executing the work in four different sessions spread over two years.

Provenance

The Cleveland Museum of Art, Cleveland, Ohio (1924-); (Frank Rehn, Inc., New York, NY, sold to the Cleveland Museum of Art) (1924); Cornelius Vanderbilt Barton, New York, NY, consigned to Frank Rehn, Inc. (1918-1924); (M. Knoedler & Co., New York, NY, sold to Cornelius Vanderbilt Barton)1 (1917-1918); William K. Bixby [1857-1931], St. Louis, MO, returned to Knoedler & Co. (1904-1917); (M. Knoedler & Co., New York, NY, sold to William K. Bixby)1 (1903-1904)

Early Morning After a Storm at Sea

Winslow Homer

1900–1903

Accession Number

1924.195

Medium

oil on canvas

Dimensions

Framed: 111 x 160 x 12 cm (43 11/16 x 63 x 4 3/4 in.); Unframed: 76.8 x 127 cm (30 1/4 x 50 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of J. H. Wade