Portrait of Mary Anne Jolliffe

Description

The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits. He captures the beauty of his sitter with soft, flickering brushstrokes, detailing her frilly collar and impressive hairstyle, curled and powdered according to the current style. This portrait originally hung alongside that of her husband Thomas in the drawing room of the couple’s home, Ammerdown House in Somerset, where Thomas’s portrait still hangs today.

Provenance

the sitter, Mary Anne Jolliffe, née Twyford [1756-1802], and Thomas Samuel Jolliffe [1746-1824], Ammerdown House, Somerset, by descent to William Jolliffe (after 1788-1824); William Jolliffe, Esq., Ammerdown House, Somerset, by descent to Lord Hylton; Lord Hylton, Ammerdown Park, Somerset, sold to A.G. Temple (?-1911); Mr. A.G. Temple; (Arthur J. Sulley, London) (by 1912); (M. Knoedler & Co., New York, sold to John L. Severance) (1912-?); John L. Severance [1863-1936], Cleveland, OH, by bequest to the Cleveland Museum of Art (?-1936); The Cleveland Museum of Art, Cleveland, OH (1942-)

Portrait of Mary Anne Jolliffe

Gainsborough Dupont

after 1788

Accession Number

1942.640

Medium

oil on canvas

Dimensions

Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Bequest of John L. Severance