Description
The sitter’s high-waisted dress, pearl necklace, and elegant hairstyle of cascading ringlets reflect the height of fashion around 1800. Her gaze is assured: her chin is tilted upward but her eyes peer down with confidence. Mason’s husband was a prosperous lawyer, an influential figure in President Thomas Jefferson’s administration, and a plantation owner in Maryland. According to an inventory from 1807, the couple enslaved approximately 185 people, ranging from the newborn Abraham to 79-year-old Rachel. The family’s wealth afforded Mason the opportunity to be painted by Gilbert Stuart, a much sought-after portraitist.
Provenance
The Cleveland Museum of Art, Cleveland, Ohio (1921-); (Frank W. Bayley, Boston, sold to the Cleveland Museum of Art) (1921); Louisa Mason Terry [1844-1921], Washington, DC, consigned to Frank W. Bayley for sale1 (1899-1921); Margaret Augusta Cowan Mason [1821-1899], Hagerstown, MD, by descent to her daughter, Louisa Mason Terry1 (1873-1899); Judge John Thomson Mason, Jr. [1815-1873], Hagerstown, MD, by descent to his wife, Margaret Augusta Cowan Mason (1836-1873); Elizabeth Beltzhoover Mason [1781-1836] and John Thomson Mason [1765-1824], Montpelier, Clear Spring, MD, by descent to their son, Judge John Thomson Mason, Jr. (c. 1803/1805 - 1836)
Accession Number
1921.428
Medium
oil on canvas
Dimensions
Framed: 90 x 78 x 8 cm (35 7/16 x 30 11/16 x 3 1/8 in.); Unframed: 73.8 x 61 cm (29 1/16 x 24 in.)
Classification
Painting
Credit Line
Gift from J. H. Wade