From the artist to Francisco “Paco” Durrio (1868–1940), Paris, between 1893 and 1895 [González de Durana, Alzuri, and Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin, exh. cat. (Museo de Bellas Artes de Bilbao, 2013), pp. 195–98, 210, no. 18, 222, no. 22; and Société du Salon d’Automne, Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif, exh. cat. (Compagnie Française des Papiers-Monnaie, 1906), cat. 152.]; left by Francisco “Paco” Durrio at Kunsthalle Basel for exhibition in 1928; Walther Geiser (1897–1993), Basel, by Jan. 18, 1931 [Oviri appears in the inventories of Geiser (no. 86-106, Jan. 18, 1931, Holzschnitte, and no. 68–89, Dec. 24, 1931, as Gravures sur bois, all listed as a set of woodcuts)]; consigned by Walther Geiser to Lucas Lichtenhan (1897–1969), Basel, on Jan. 18, 1931; returned by Lucas Lichtenhan to Walther Geiser in 1936; sold to the Art Institute of Chicago, 1948.