Description
An early instance of Marin’s changing framing aesthetic can be seen in his handling of this watercolor, which was adhered to a gilded mount and then fitted in a spare gilded frame. This approach, which left plenty of space around the sheet, emphasizes the artwork’s materiality, an important concept for Marin. Unlike the white enamel frames he had favored throughout the previous decade, his gilded mounts and frames of the early 1920s were not intended to harmonize with his art. Rather, the use of gold was meant to be visually jarring, here drawing the viewer into the violent sea and proving the strength of the composition.
Provenance
Accession Number
65975
Medium
Watercolor with wiping and charcoal on thick (estimated), slightly textured, ivory wove paper, hinged to paperboard, faced with ivory wove (estimated) paper, gilt with gold leaf (top and right edges trimmed), in original frame
Dimensions
41.3 × 49.5 cm (16 5/16 × 19 1/2 in.); Mount: 57.8 × 64.5 cm (22 13/16 × 25 7/16 in.)
Classification
watercolor
Credit Line
Alfred Stieglitz Collection