Buildings

Description

Three watercolor sketches—Skyline with Boats in Foreground; New York Skyline, Boats in Foreground; and this sheet, Buildings—adopt views of the densely clustered buildings of New York seen from the Hudson River and demonstrate the diversity of Marin’s watercolor techniques at this time. Their differences point to his growing desire to experiment with his methodology as a watercolor painter. This sketch, possibly made from the Brooklyn Bridge, takes a view of the skyline similar to the other two, yet Marin transformed the small sheet into a kind of floating fantasy. He combined the fluid, improvisational technique of the Weehawken scenes with warm-cool color contrasts, a palette that he soon developed into the iridescent effects seen in his later watercolors.

Provenance

Alfred Stieglitz (1864–1946), New York; Stieglitz Estate (Georgia O'Keeffe (1887–1986), executor); given to the Art Institute of Chicago, 1956.

Buildings

John Marin

c. 1910

Accession Number

2923

Medium

Watercolor with blotting, over graphite, on lightweight, slightly textured, off-white wove paper, laid down on ivory wove card

Dimensions

18.7 × 23.1 cm (7 3/8 × 9 1/8 in.)

Classification

watercolor

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Alfred Stieglitz Collection

Background & Context

Background Story

John Marin's Buildings (c. 1910) is a watercolor with blotting over graphite on lightweight off-white wove paper. This work continues Marin's exploration of urban architectural subjects, showing buildings rendered as expressive, dynamic forms. The watercolor technique is bold and spontaneous, the washes building the masses of the buildings through layers of color that seem to capture the very energy of the city. The blotting creates varied textures that add to the sense of movement and life. The graphite underdrawing provides a structural foundation. Marin's approach to the subject of buildings was revolutionary: he did not seek to represent them with documentary accuracy but to convey the experience of looking at them, the way they seem to move and change with the light and the viewer's perspective. This watercolor belongs to the remarkable body of work Marin produced around 1910, which together constitutes one of the most original achievements in American modernist painting.

Cultural Impact

Marin's abstracted building studies anticipated the development of Abstract Expressionism by several decades, demonstrating the expressive possibilities of architectural subjects.

Why It Matters

This watercolor of buildings transforms urban architecture into a composition of expressive forms and colors, Marin's bold technique capturing the energy and movement of the city.