Possibly (the artist's estate sale, Henry J. and George Henry Robins, London, 20-22 June 1829, 1st day, no. 132, as _Telemachus in the Island of Calypso_, unfinished).[1] possibly Henry Corbould [1787-1844], in 1832.[2] (Mortimer Brandt [1905-1993], New York); acquired by Mrs. E. Lovette West [1885-1962, Bess Palmer West], Bronxville, New York; her daughter, Mrs. Robert A. Beyers [1906-1987, Bernice West Beyers], Chittenden, Vermont, and Dallas;[3] gift 1963 to the Corcoran Gallery of Art, Washington; acquired 2015 by the National Gallery of Art. [1] Several versions by West exist of this subject. This provenance is according to Helmut von Erffa and Allen Staley, _The Paintings of Benjamin West_, New Haven and London, 1986: 259, no. 183. The 1829 artist's estate sale was one of two sales held that year by the artist's sons, Raphael Lamar West (1769-1850) and Benjamin West, Jr. (1772-1848). [2] Von Erffa's and Staley's catalogue (see note 1) suggested that if this was the painting lent by Corbould to an exhibition in 1832, it may have been completed either by him or by his son, Edward Henry Corbould (1815-1905), as both were artists. Another possibility was suggested by Dorinda Evans, _Benjamin West and His American Students_, exh. cat., National Portrait Gallery, Washington; Pennsylvania Academy of the Fine Arts, Philadelphia, 1980-1981, Washington, 1980: 147 fig. 111, 148, 187 n. 46, who wrote that the figures of Calypso and her companions appear to be by one of West's students. [3] Mrs. Beyers, a sculptor, was a descendant of Benjamin West, although her exact line of descent has not yet been determined.