Provenance
Susan Macdowell Eakins [Mrs. Thomas Eakins, 1851-1938], Philadelphia; her estate; (Babcock Galleries, New York); (Garelick Gallery, Detroit); Marshall M. Miller, Huntington Woods, Michigan; Peter H. Brady, Washington, D.C., by 1977.[1] (Middendorf/Lane, Washington, D.C.), in 1979.[2] (sale, Christie, Manson & Woods, New York, 24 April 1981, no. 92);[3] (Hirschl & Adler Galleries, New York); sold 1982 to John Wilmerding, Washington, D.C.; gift 1991 to NGA.
[1] Phyllis D. Rosenzweig, _The Thomas Eakins Collection of the Hirshhorn Museum and Sculpture Garden_, Washington, D.C., 1977: 297.
[2] The painting appears in a Middendorf/Lane advertisement in the October 1979 issue of _Art News_.
[3] The painting is not recorded in the price list for the 1981 sale, so it was perhaps acquired privately by Hirschl and Adler after the auction.
Accession Number
1991.34.1
Medium
oil on canvas
Dimensions
overall: 46.3 x 36.2 cm (18 1/4 x 14 1/4 in.) | framed: 63.5 x 53.3 x 8.3 cm (25 x 21 x 3 1/4 in.)
Classification
Painting
Credit Line
Gift of John Wilmerding, in Honor of the 50th Anniversary of the National Gallery of Art