Provenance
Commissioned by Owen McSwiny for Charles Lennox, 2d duke of Richmond [1701-1750], Goodwood, Sussex, and Somerset House, London, by 1726; by descent to Charles Lennox, 4th duke of Richmond [1764-1819]; (his sale, Christie, Manson & Woods, London, 26 March 1814, no. 48); bought by P. Hill.[1] Sir Richard Colthurst, Cork, Ireland. (David M. Koetser Gallery, New York, London, and Zurich);[2] purchased 1953 by the Samuel H. Kress Foundation, New York;[3] gift 1961 to NGA.
[1] The circumstances of commission and the painting's sale are discussed in the NGA systematic catalogue entry (Diane De Grazia and Eric Garberson, _Italian Paintings of the Seventeenth and Eighteenth Centuries_, Washington, D.C., 1996: 237-242). Martha Hepworth of the Getty Provenance Index provided an annotated copy of the 1814 Goodwood sale catalogue and has identified P. Hill "almost certainly" as the London dealer Philip Hill, about whom little is known (letter of 8 June 1990, NGA curatorial files).
[2] Fern Rusk Shapley, _Paintings from the Samuel H. Kress Collection: Italian Schools XVI-XVIII Century_, London, 1973: 132, and Fern Rusk Shapley, _Catalogue of Italian Paintings_, 2 vols., Washington, D.C., 1979: 1:404. According to a typed notation in the NGA curatorial files of a letter from David Koetser of 23 October 1954, Koetser acquired the painting through an agent working for an old English family whose name he would not divulge to Koetser.
[3] See The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1474.
Accession Number
1961.9.58
Medium
oil on canvas
Dimensions
overall: 222.1 x 158.8 cm (87 7/16 x 62 1/2 in.) | framed: 251.3 x 188.4 x 10.8 cm (98 15/16 x 74 3/16 x 4 1/4 in.)
Classification
Painting
Credit Line
Samuel H. Kress Collection
Tags
Painting Baroque (1600–1750) Oil Painting Canvas Italian
Background & Context
Background Story
Sebastiano Ricci (1659-1734) and Marco Ricci (1676-1730) were Italian painters—uncle and nephew—who collaborated on paintings that combined Sebastiano's figure painting with Marco's landscape painting. The Memorial to Admiral Sir Clowdisley Shovell from 1725 is a memorial to the English admiral who died in a shipwreck in 1707, one of the greatest maritime disasters in British history. Sebastiano Ricci was one of the most important Venetian painters of the early 18th century, known for the elegant, decorative manner that connects the Venetian tradition with the emerging Rococo, and Marco Ricci was one of the most important landscape painters of the period.
Cultural Impact
The Memorial to Admiral Shovell is important in the history of European painting because it demonstrates the collaborative manner of Sebastiano and Marco Ricci, combining Sebastiano's elegant figure painting with Marco's landscape painting. The collaboration of uncle and nephew—combining Venetian decorative painting with landscape—represents an important type of early 18th-century painting, and the 1725 memorial shows this collaboration applied to the commemoration of one of the greatest maritime disasters in British history.
Why It Matters
The Memorial to Admiral Shovell is Sebastiano and Marco Ricci's collaboration: a memorial to one of the greatest maritime disasters in British history, combining the uncle's elegant Venetian figure painting with the nephew's landscape painting. The 1725 painting commemorates Admiral Shovell, who died in a shipwreck that was one of the worst maritime disasters in British history.