Artists

Andrea Locatelli

Andrea Locatelli

Andrea Mantegna

Andrea Mantegna (UK: , US: ; Italian: [anˈdrɛːa manˈteɲɲa]; c. 1431 – September 13, 1506) was an Italian Renaissance painter, a student of Roman archaeology, and the son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes, and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500.

Andrea Mantegna

Andrea Mantegna

The Butler Madonna or Madonna and Child with Cherubim and Seraphim is a tempera on panel painting measuring 44.1 by 28.6 cm. It is attributed to Andrea Mantegna, dated to around 1460. Its poor conservation, including over-harsh restoration to Mary's face, means that some art historians cannot accept it as an autograph work and theorise that it was produced by a follower of Mantegna after an autograph original. Its provenance is unknown before 1891, when it appeared for sale at a London art dealer. It was purchased by Charles Butler, from whom it passed to the Metropolitan Museum of Art in New York in 1926, where it still hangs. If it is an autograph work, it dates from after Mantegna's trip to Rome and some attribute it to the end of his Paduan period (c.1460), suggested by comparison with the Presentation at the Temple, which has similar fictive marble frame in the foreground. It belongs to a group of small-format Madonnas produced by Mantegna for private devotion - others include Madonna with Sleeping Child (Berlin), the Poldi Pezzoli Madonna and the Bergamo Madonna. The cherubim are in blue and the seraphim in red, whilst the painter has drawn on Donatello's example in showing Mary...

Andrea Meldolla, called Schiavone

Andreani, Andrea

Andrea Andreani (1540–1623) was an Italian engraver on wood, who was among the first printmakers in Italy to use chiaroscuro, which required multiple colours. Andreani was born and generally active in Mantua about 1540 (Brulliot says 1560) and died at Rome in 1623. His engravings are scarce and valuable, and are chiefly copies of Mantegna, Albrecht Dürer, Parmigianino and Titian. The most remarkable of his works are Mercury and Ignorance, the Deluge, Pharaoh's Host Drowned in the Red Sea (after Titian), the Triumph of Caesar (after Mantegna), and Christ retiring from the judgment-seat of Pilate after a relief by Giambologna. He was active 1584–1610 in Florence. Andreani's work is held in several museums worldwide, including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Cleveland Museum of Art, the Fine Arts Museums of San Francisco, the Ackland Art Museum, the Clark Art Institute, the Harvard Art Museums, the Victoria and Albert Museum, the Albright–Knox Art Gallery, the National Gallery of Canada, the Davis Museum at Wellesley College, the Cooper Hewitt, the University of Michigan Museum of Art, the Bowdoin College Museum of Art, the Los Angeles County Museum...

Andrea, Nicolaus

Andrea Passanini

Andrea Picinelli, called Brescianino

Andrea Pozzo

Andrea Previtali