Masters of Their Craft

Artists

Discover the visionaries who shaped the course of art history.

39,743 artists in the collection

Diepenbeeck, Abraham van

Diepenbeeck, Abraham van

Flemish

Flemish, 1596 - 1675

Abraham van Diepenbeeck (9 May 1596 (baptised) – between May and September 1675) was a Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches. He engraved and designed many prints which were published by prominent Antwerp printers such as van Meurs, the Plantin Press and Martinus van den Enden the Elder. He had a close relationship with the workshop of the leading Flemish Baroque painter Peter Paul Rubens and collaborated on various projects under the direction of Rubens. In the 1630s van Diepenbeeck started to create monumental paintings. His work was influenced by Rubens and Anthony van Dyck.

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Dieric Bouts

Netherlandish

1415 - 1475

Dies, Albert Christoph

Dies, Albert Christoph

Austrian

Austrian, 1755 - 1822

Albert Christoph Dies (1755 – 28 December 1822) was a German painter, engraver, and biographer most noted for his biography of Joseph Haydn, although it is now considered sentimental and not entirely accurate. As an artist, he is also not very well-regarded.

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Dieter Appelt

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Dieter Daemen

Belgian

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Dieterich, John

American

American, active c. 1935

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Dieter Roth

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Dietrich, Albert M.

American

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Dietrich, Caspar

German

German, 1525 - 1594

Dietrich, Christian Wilhelm Ernst

Dietrich, Christian Wilhelm Ernst

German

German, 1712 - 1774

Christian Wilhelm Ernst Dietrich (30 October 1712 – 23 April 1774) was a German painter and art administrator. In his own works, he was adept at imitating many earlier artists, but never developed a style of his own.

Dietterlin, Wendel

Dietterlin, Wendel

German

German, 1550 or 1551 - 1599

Wendel Dietterlin (c.1550–1599), sometimes Wendel Dietterlin the Elder, to distinguish him from his son, was a German mannerist painter, printmaker and architectural theoretician. Most of his paintings are now lost, and he is best known for his treatise on architectural ornament, Architectura, published in its final edition in Nuremberg in 1598.

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Dietz Edzard