Artists

Daum Brothers

Daum Frères

Daum, Howard

Daumier, Honoré

Honoré-Victorin Daumier (French: [ɔnɔʁe domje]; February 26, 1808 – February 10 or 11, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870. He earned a living producing caricatures and cartoons in newspapers and periodicals such as La Caricature and Le Charivari, for which he became well known in his lifetime and is still remembered today. He was a republican democrat (working class liberal), who satirized and lampooned the monarchy, aristocracy, clergy, politicians, the judiciary, lawyers, police, detectives, the wealthy, the military, the bourgeoisie, as well as his countrymen and human nature in general. Daumier was a serious painter, loosely associated with realism, sometimes blurring the boundaries between caricature and fine art. Although he occasionally exhibited at the Parisian Salon, his paintings were largely overlooked and ignored by the French public and critics of the day. Yet Daumier's fellow painters, as well as the poet and art critic Charles Baudelaire, noticed and greatly admired his work. Later generations would...

Dauptain et Soeur

Dautry, Marc

The sans-culottes (French: [sɑ̃kylɔt]; lit. 'without breeches') were the common people of the lower classes in late 18th-century France, a great many of whom became radical and militant partisans of the French Revolution in response to their poor quality of life under the Ancien Régime. The word sans-culotte, which is opposed to "aristocrat", seems to have been used for the first time on 28 February 1791 by Jean-Bernard Gauthier de Murnan in a derogatory sense, speaking about a "sans-culottes army". The word came into vogue during the demonstration of 20 June 1792. The name sans-culottes refers to their clothing, and through that to their lower-class status: culottes were the fashionable silk knee-breeches of the 18th-century nobility and bourgeoisie, and the working class sans-culottes wore pantaloons, or long trousers, instead. The sans-culottes, most of them urban labourers, served as the driving popular force behind the revolution. They were judged by the other revolutionaries as "radicals" because they advocated a direct democracy, that is to say, without intermediaries such as members of parliament. Though ill-clad and ill-equipped, with little or no support from the middle and...

Dauzats, Adrien

Davee Foundation

Dave Heath

Dave Heath

Dave Jordano

Dave McKenzie