Artists

Czeschka, Carl Otto

Carl Otto Czeschka (22 October 1878 – 30 July 1960) was an Austrian painter and graphic designer associated with the Wiener Werkstätte.

Czóbel, Béla

Béla Czóbel (4 September 1883 – 30 January 1976) was a Hungarian painter, known for his association with The Eight in the early 20th century in Budapest. They were known for introducing Post-Impressionist styles into Hungary, in addition to Fauvism, Cubism and Expressionism.

Daan van Golden

Dabbs, J. V.

D.A. Clifford

Dadante, Michael

Daddi, Bernardo

Bernardo Daddi (c. 1280 – 1348) was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality. He was particularly successful with his small-scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity.

Dadley, J.

Dado

Daeda, Orison

Daegu National Museum

Dael, Cornelis van

Christiaan van Pol (14 March 1752 – 21 May 1813) was a flower painter from the Netherlands. Pol was born in Berkenrode, a small town of about ten Catholic families that is now part of Heemstede. He probably learned to draw in the tavern there known as the Dorstige Kuil, where the artists Simon Fokke, John Greenwood, Jan Punt and others from the Amsterdamse Tekenacademie would meet during the summer months. He first trained in Antwerp where he learned "sieraad schilderen", or decorative painting. Here he met Gerrit Malleyn and Cornelis van Spaendonck and through him, Gerard van Spaendonck and Jan Frans van Dael. He then travelled with them to Paris in 1782 where he at first spent time making decorative arabesques and painting flower arrangements in miniature on snuffbox lids. He became a good friend of Van Dael, who he stayed close to the rest of his life. Like Van Dael, he created oil paintings in the manner of Jan van Huysum, of which his best piece was shown in 1809 and another in 1814. He also made designs for the Gobelins Manufactory and his considered a pupil of Van Dael because of similarities to his work, though he was much older than him. The historians Roeland van Eynden...