Artists

Cochin, Louise-Madeleine

Louise-Magdeleine Horthemels, or Louise-Madeleine Hortemels, also called Magdeleine Horthemels (1686 – 2 October 1767), was a French engraver, the mother of Charles-Nicolas Cochin. She is also sometimes credited under her married name of Louise Madeleine Cochin or Madeleine Cochin.

Cochin, Nicolas

Nicolas Cochin (1610–1686), called the Elder, was a French draughtsman and engraver. He was born at Troyes in 1610, the son of a painter named Noel Cochin. About 1635, he went to Paris, where he died in 1686. He often imitated and copied Jacques Callot, but chose for his model Stefano della Bella, some of whose drawings he engraved. Like these two artists he excelled in small figures, which he grouped and delineated with lifelike animation. His specialty was topography, including battles, sieges, and encampments. He engraved several hundred subjects, the most important of which are those he executed for the "Glorieuses Conquêtes de Louis le Grand", called the "Grand Beaulieu", published between 1676 and 1694. The best of these plates may be the "Siege of Arras", engraved on 16 plates by Cochin and Jean Frosne. Cochin is the best of the engravers whom Troyes has produced. His drawing is firm, and his engraving fine and delicate. His plates are marked with his name in full, or with his initials only, or with a monogram. M. Corrard de Breban has given in his "Graveurs Troyens", 1868, a list of Cochin's works, among which the following are noteworthy: The Life of the Virgin; after Albrecht...

Cochrane, F.W.

Cochran, J.

Cockburn, James Pattison

Cock, Hieronymus

Cock, Jan Wellens de

Jan Wellens de Cock or Jan de Cock (c. 1460/1480 – in or before 1521) was a Flemish painter, woodblock artist and draftsman of the Northern Renaissance active in Antwerp. Recent discoveries and a re-evaluation of the links between the works attributed to Wellens de Cock and those of contemporaneous artists of Leiden have caused a large portion and potentially all of the works formerly attributed to him to be re-attributed to one or more anonymous artists active in Antwerp or Leiden referred to by the notname Pseudo Jan Wellens de Cock or Master J. Kock or some other anonymous artists believed to have worked in Leiden in the studio or immediate circle of Cornelis Engebrechtsz.

Cock, Matthys

Cocks and Bettridge

Cocks, John H.

Cockson, Thomas

Cock van Gent