Masters of Their Craft
Artists
Discover the visionaries who shaped the course of art history.
39,743 artists in the collection
Capuozzo, Walter G.
American
American, born Italy, c. 1886 - 1949
Caquet, Jean Gabriel
French
French, 1749 - 1802
Caracciolo, Roberto
Italian
Italian, American school, born 1960
Roberto Caracciolo of Lecce (c.1425 – 6 May 1495) was a Franciscan friar, one of the most famous Italian preachers of his time.
Caraglio, Gian Jacopo
Italian
Italian, c. 1500 - 1565
Carano, Vincent
American
American, born Italy, 1884 - 1963
Carattoni, Girolamo
Italian
Italian, active 1785 - c. 1809
Pietro Paolo Montagnani (also Montagnani-Mirabili; 1740 in Rome – date of death unknown) was a late 18th-century and early 19th-century Italian engraver (burin) and publisher of books and prints who lived presumably in Florence around 1800–1820. Around 1790, Pietro Paolo Montagnani published a series of engravings picturing the Sibyls (Latin: Sibylla, s.; -ae, pl.) by talented Italian engravers such as Girolamo Carattoni (ca.1760 – ca. 1809), Domenico Cunego, Giovanni Folo and Giovanni Petrini (active 1800–1812) after paintings by Giovanni Francesco Barbieri (il Guercino), Domenico Zampieri (il Domenichino) and Sebastiano Conca. In 1805, Pietro Paolo Montagnani-Mirabili published a book on "ancient monuments, news on the antiquities and fine arts of Rome", Vol. VIII (or, more likely, VII, according to some scholars, attributing it to a typographical error in transcribing the Roman numeral in later imprints or facsimile editions). This book contained multiple engravings of ancient statues and bas-reliefs by Gio(vanni) Pietrini inc. (incisore, i.e. engraver) after drawings by (Aloysius) L(uigi) Agricola dis. (disegnatore, i.e. draughtsman) and F(ilip.) Salari dis.; by P(ietro) Ghigi...
Caravaggio
Italian
1571 - 1610
Caravaggio
Italian
Roman, 1571 - 1610
Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; 29 September 1571 – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Naples, Malta, and Sicily. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His inspiring effect on the new Baroque style that emerged from Mannerism was profound. His influence can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, Velázquez...
Carazzari, Ludovico
Italian
Italian, active 1782/1790
Carbonati, Antonio
Italian
Italian, 1893 - 1956
Carchi
Cardenas, Agustin
Cuban
Cuban, 1927 - 2001
Agustín Cárdenas Alfonso (April 10, 1927, Matanzas, Cuba – February 9, 2001, Havana, Cuba) was a Cuban sculptor who was active in the Surrealist movement in Paris. His sculpture was influenced by Brâncuși, Henry Moore, and Jean Arp. Poet André Breton said of his artistic hand that it was "efficient as a dragonfly."