Masters of Their Craft

Artists

Discover the visionaries who shaped the course of art history.

39,743 artists in the collection

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Brodsky, S.

American

American, active c. 1935

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Broeck, Crispin van den

Netherlandish

Netherlandish, 1523 - c. 1591

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Broeske, Fritz

American

American, active c. 1935

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Brokaw, David

American

American, 1812 - 1878

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Bromley Hall

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Bromley Print Works

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Bronckhorst, Jan Gerritsz van

Dutch

Dutch, c. 1603 - 1661

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Brondgeest, Albertus

Dutch

Dutch, 1786 - 1849

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Broner, Robert

American

American, 1922 - 2010

Tristan Meinecke (1916–2004) was an American artist, architect and musician who spent most of his life and career in Chicago. He was married to television and radio actress Angel Casey. His widely varied body of work explored abstract expressionism, cubism and Surrealism, and included the invention of the split-level painting technique. In collaboration with architect Robert Bruce Tague, Meinecke built and rehabilitated many properties in and around Lincoln Park, Chicago.

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Bronislaw M. Bak

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Bronson, Helen

American

American, c. 1900 - 1990

Bronzino, Agnolo

Bronzino, Agnolo

Italian

Florentine, 1503 - 1572

Agnolo di Cosimo (Italian: [ˈaɲɲolo di ˈkɔːzimo]; 17 November 1503 – 23 November 1572), usually known as Bronzino (Italian: Il Bronzino [il bronˈdziːno]) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist, but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, Venus, Cupid, Folly and Time, c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always appear calm and somewhat reserved, lacking the agitation and emotion of those by his teacher. They have often been found cold and artificial, and his reputation suffered...