Artists

Heinsius, Johann Ernst

Heins, John P.

Heins & LaFarge was a New York City–based architectural firm founded by Philadelphia-born architect George Lewis Heins (1860–1907) and Christopher Grant LaFarge (1862–1938), the eldest son of the artist John La Farge. They were the architects for the original Romanesque-Byzantine east end and crossing of the Cathedral of St. John the Divine in Manhattan, and for the original Astor Court buildings of the Bronx Zoo, which formed a complete ensemble reflecting the aesthetic of the City Beautiful movement. Heins & LaFarge provided the architecture and details for the Interborough Rapid Transit Company, the first precursor to the New York City Subway.

Heintzelman, Arthur William

Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Many cultural movements found him amenable to their respective causes: Decadents turned him into a disillusioned foe of idealism; Symbolists saw him as a lonely fellow-sufferer; Modernists converted him into a Whistlerian subject for canvases devoted to form and color and line. This page lists the extensive use of Pierrot's stock character (whiteface with a tear, white shirt, cap, etc.) chronologically arranged according to country and artistic medium (e.g. music, film, literature). The vast geographical range from Europe to Asia and beyond shows how widespread interest in Pierrot is, as does the variation in the artistic styles, from traditional ballet to rap-songs and music videos.

Heintz, Joseph the younger

Heintz the Elder, Joseph

Heinz Fuchs

Heinz Hajek-Halke

Heinz Hajek-Halke

Heinz Klug

Heinzmann, Carl

Heinz Tesar

Heinz Warneke