Provenance
Marie-Caroline-Ferdinande-Louise de Naples, duchesse de Berry [1798-1870]; (De Berry sale, by Bataillard and Charles Pillet, Paris, 4-6 April 1837, no. 19). Charles-Auguste-Louis-Joseph, comte de Morny [1811-1865, later duc de Morny], Paris; (his sale, Phillips, London, 20-21 June 1848, 2nd day, no. 108). Mrs. Stephen Lyne-Stephens [1812-1894, née Pauline Duvernay or Yolande-Marie-Louise Duvernay], Lynford Hall, Mundford, near Thetford, Norfolk, London (Roehampton), and Paris; (sale, Christie, Manson & Woods, London, 9 May 1895, no. 340); (Charles Sedelmeyer, Paris), in 1895.[1] (Eugene Fischhof, Paris); sold 1898 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA.
[1] Reproduced in Charles Sedelmeyer, _Illustrated Catalogue of the Second Hundred of Paintings by Old Masters, Sedelmeyer Gallery_, Paris, 1895: 34, no. 28.
Accession Number
1942.9.49
Medium
oil on panel transferred to canvas
Dimensions
overall: 50 x 66 cm (19 11/16 x 26 in.) | framed: 72.4 x 88.6 x 6 cm (28 1/2 x 34 7/8 x 2 3/8 in.)
Classification
Painting
Credit Line
Widener Collection