Madonna Adoring the Child

Provenance

Contessa di Breganze, Venice.[1] (Count Alessandro Contini Bonacossi [1878-1955], Florence and Rome); sold 1934 to the Samuel H. Kress Foundation, New York[2]; gift 1939 to NGA. [1] According to Kress files in NGA curatorial records. [2] See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1320.

Madonna Adoring the Child

Basaiti, Marco

c. 1520

Accession Number

1939.1.144

Medium

oil on panel

Dimensions

overall: 20.6 x 16.5 cm (8 1/8 x 6 1/2 in.) | framed: 32.1 x 27.9 x 4.1 cm (12 5/8 x 11 x 1 5/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Samuel H. Kress Collection

Tags

Painting Renaissance (1400–1599) Oil Painting Panel Painting Italian

Background & Context

Background Story

Marco Basaiti (c. 1470-1530) was a Venetian painter known for the devotional religious paintings that make him an important representative of the early 16th-century Venetian tradition. Madonna Adoring the Child from c. 1520 depicts the Virgin Mary adoring the Christ Child in the devotional manner that distinguishes Basaiti's best religious paintings from the more dramatic work of his Venetian contemporaries. The c. 1520 date places this in Basaiti's mature period, when he was producing the devotional religious paintings that combine the influence of Giovanni Bellini with his own more austere manner.

Cultural Impact

Madonna Adoring the Child is important in the history of Venetian painting because it demonstrates the devotional manner that Basaiti brought to religious subjects as an important representative of the early 16th-century Venetian tradition. Basaiti's devotional paintings—combining the influence of Bellini with his own more austere manner—represent an important strand in Venetian painting that is distinct from the more dramatic manner of the Venetian mainstream, and the c. 1520 painting shows this devotional strand at its most accomplished.

Why It Matters

Madonna Adoring the Child is Basaiti's devotional Venetian painting: the Virgin adoring the Christ Child rendered in the austere, devotional manner that combines the influence of Bellini with his own more restrained approach. The c. 1520 painting shows an important alternative to the dramatic Venetian mainstream—devotional restraint combined with Bellini's influence.