("Anthony," London); purchased before 1859 by Francis Richard Charteris, Lord Elcho [1818-1914, from 1883 the 10th earl of Wemyss], London, and Gosford House, Lothian, Scotland;[1] by inheritance to his son, Hugo Richard Charteris, 11th earl of Wemyss [1857-1937], Gosford House, until 1927; (Wildenstein & Co., New York); sold 1928 to (M. Knoedler & Co., New York); purchased January 1928 by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 28 December 1934 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[2] gift 1937 to NGA. [1] The painting was lent by Lord Elcho to the British Institution in 1859. Confirmation that the painting was not inherited by Lord Elcho, but was purchased by him from a London dealer named “Anthony,” was kindly provided to Peter Humfrey by Shelagh, Countess of Wemyss and March, on the basis of family papers at Gosford House. See also Shelagh Wemyss, "Francis, Lord Elcho (10th Earl of Wemyss) as a Collector of Italian Old Masters," _Journal of the Scottish Society for Art History_ 8 (2003): 73-76, and on the collecting by the earls of Wemyss and March, _Pictures from Gosford House Lent by The Earl of Wemyss and March_, exh. cat., National Gallery of Scotland, Edinburgh, 1957; "The Earls of Wemyss and March," in _Dutch Art and Scotland: A Reflection of Taste_, exh. cat., National Gallery of Scotland, Edinburgh, 1992: 171. [2] Mellon date deeded to Mellon Trust is according to Mellon collection records in NGA curatorial files and David Finley's notebook (donated to the National Gallery of Art in 1977, now in the Gallery Archives).