Description
In Luba-style art, an object's beauty affects how well it works. While bowl-bearing figures had many possible uses, a royal diviner likely used this well-carved image of a woman carrying a bowl in rituals. Dusty traces of mpemba (white chalk) fleck the shining exterior and the bowl's interior, showing it once held this sacred powder. Diamond-shaped scarification marks at her waist, chest, and back add to her beauty. Her hair is carved into the cascading layered hairstyle worn in the Luba region at the turn of the twentieth century. Strands of imported glass beads encircle her waist and neck, and dangle from her hair. The alternating white and blue beads may symbolize the moon and Mbidi Kiluwe, a culture hero linked to royal practice and smithing. While much Luba-style art depicts women—who are societally important—men created and owned the majority of such works.
Provenance
Gaston Heenen [1880-1963], Brussels, BE, sold to Hendrik Elias (?–1939); (Hendrik Elias [b. 1925], Galerie Elmar, Wieze, BE, sold to René and Odette Delenne) (1939–1968); René [1901-1998] and Odette Delenne [1925-2012], Brussels, BE, sold to the Cleveland Museum of Art (1968–2010); The Cleveland Museum of Art, Cleveland, OH (2010–)
Accession Number
2010.454
Medium
Wood, glass beads, upholstery studs, plant fiber, and iron
Dimensions
Overall: 40.8 x 16.1 x 27.3 cm (16 1/16 x 6 5/16 x 10 3/4 in.)
Classification
Sculpture
Credit Line
René and Odette Delenne Collection, Leonard C. Hanna Jr. Fund