A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris

Description

As a young man, William Turner removed himself from the competitive London art world and returned to his native Oxford to teach and paint in solitude. This retreat may have been because he shared the same name as his contemporary Joseph Mallord William Turner, or it may have been prompted by his apparently retiring personality. He painted prolifically and traveled widely in Britain in search of subjects. This watercolor describes the dramatic mountain scenery of north Wales. The close-up view of the hillside and sheep in the left foreground juxtaposed with the sweeping vista of the mountains of Snowdonia invites a comparison of the minute with the infinite.

Provenance

Private collection, England (?-2003); (Lowell Libson, London) (2003-2004); (Lowell Libson, London, sold to the Cleveland Museum of Art, Cleveland, OH) (2009-2010); Cleveland Museum of Art, Cleveland, OH (2010-)

A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris

William Turner

c. 1850

Accession Number

2010.147

Medium

watercolor with scratch-away, heightened with white

Dimensions

Sheet: 48.9 x 70.3 cm (19 1/4 x 27 11/16 in.); Secondary Support: 49.5 x 70.8 cm (19 1/2 x 27 7/8 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Purchase from the J. H. Wade Fund