Description
Simeon had heard a prophecy that he would encounter the Messiah with his mother in the temple at Jerusalem. This painting depicts his moment of recognition that the prophecy had come true. The temple is populated by Jewish teachers and scholars, and a number of unusual visual elements. A dragon-headed vase is set by the stairs, and niches for vases flank the entrance, possibly in reference to Mary’s status as a vessel for the divine. The form of the temple itself seems to be an imaginative combination of Hindu temple architecture and a Mughal palace.
Provenance
An Indian family in Great Britain, whose grandfather brought the manuscript to England in the 1930s or 1940s (before 1930s–2005); (Oliver Forge and Brendan Lynch Ltd., London, England, sold to the Cleveland Museum of Art) (2005); The Cleveland Museum of Art, Cleveland, OH (2005–)
Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
1602–4
Accession Number
2005.145.40.a
Medium
Gum tempera, ink, and gold on paper
Dimensions
Sheet: 26.2 x 15.7 cm (10 5/16 x 6 3/16 in.); Image: 21.4 x 12.6 cm (8 7/16 x 4 15/16 in.)
Classification
Manuscript
Credit Line
John L. Severance Fund