The Meeting of Orestes and Hermione

Description

When the French painter Jacques-Louis David was approached to work on a new edition of Jean Racine’s plays, he passed the task to his pupil Girodet, who excelled at illustrating literature. This highly refined drawing depicts a scene from Racine’s Andromaque, a complicated story of unrequited love and political treachery. Cléone introduces the love-blind Orestes to Hermione, who exploits his affection to make him do her bidding. Girodet skillfully contrasts Orestes’s eagerness and Hermione’s calculating character. With folded arms, she turns away, as if a statue between the columns of a cool marble interior. Yet Hermione’s sly, backward glance alerts the viewer of her cunning manipulation, which eventually drives Orestes mad.

Provenance

Pierre Didot l’Ainé [1760–1853], Paris, given with other drawings in vellum edition to his brother, Firmin Didot (?-?); Firmin Didot [1764–1836], Paris (?-1810); (his sale, De Bure, Paris, 1810, no. 679 [withdrawn from sale]) (1810); Didot family collection, Paris (1810-by 1947); Frederick J. Cummings [1933–1990], New York (?-1989); (W. M. Brady & Co. Inc., New York, sold to the Cleveland Museum of Art) (1989); Cleveland Museum of Art, Cleveland, OH (1989-)

The Meeting of Orestes and Hermione

Anne-Louis Girodet de Roucy-Trioson

c. 1800

Accession Number

1989.101

Medium

pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paper

Dimensions

Sheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Leonard C. Hanna Jr. Fund