The Idolatry of Solomon

Description

Pietro da Cortona was one of the most successful and active fresco painters in Rome in the mid-1600s. This drawing is a preparatory sheet—highly worked-up with many different mediums—for one of the artist's six frescoes portraying the story of Solomon commissioned by the Roman nobleman Asdrubale Mattei (1556-1638) for the gallery of his Palazzo Mattei di Giove. Reflecting the artist's as well as his patron's interest in classical antiquity, Cortona combined a classical relief-like composition with specific references to Roman objects and architectural elements in the composition. The subject represents a foolish episode from Solomon's life, when he was lured into the worship of idols by the "foreign" women with whom he kept company.

Provenance

Capitaine C. Prayer (1826-1900), Milan (Lugt 2044) (ca. 1900); de Bernasconi family, Buenas Aires (ca. 1900); by descent to Marià Elvira Celia Méndez de Bernasconi (1927-2005), Buenos Aires (Lugt 5374) (?-1987); Christie's London, 1 April 1987, no. 66. (1987); with Kate Ganz, Ltd, London (1987); The Cleveland Museum of Art, Cleveland, OH (1987-)

The Idolatry of Solomon

Pietro da Cortona

1622–23

Accession Number

1987.142

Medium

Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink

Dimensions

Sheet: 24.8 x 43.3 cm (9 3/4 x 17 1/16 in.); Secondary Support: 25.5 x 44.1 cm (10 1/16 x 17 3/8 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

John L. Severance Fund