Pierrot in Criminal Court

Description

In this painting, Couture used two famous masked characters, Pierrot and Harlequin, to satirize and critique the public and the judicial system of the 19th century. The pathetic Pierrot represents a lower-class fool on trial for stealing food from a restaurant. The stolen items are depicted lying on the courtroom floor as an indictment of his guilt. His accusers sit on the left, while Harlequin, his lawyer, argues theatrically for the defense. The artist's contempt for the legal profession and the court system is plain in the figures of the sleeping judges. A mid-19th-century observer may have sympathized with Pierrot, who for his own survival cunningly subverts authority in order to satisfy his needs.

Provenance

Jay Gould. J. Rougeron, New York, NY; Arthur Tooth & Sons, London, United Kingdom; A. Saloman; (Christie's, London, December 3, 1976, lot 105) (December 3, 1976); Mr. and Mrs. Noah L. Butkin, Cleveland, OH bequeathed to the Cleveland Museum of Art (by 1977–1980); The Cleveland Museum of Art, Cleveland, OH (1980–)

Pierrot in Criminal Court

Thomas Couture

c. 1864–70

Accession Number

1980.250

Medium

oil on wood panel

Dimensions

Framed: 45.8 x 52.1 x 5.2 cm (18 1/16 x 20 1/2 x 2 1/16 in.); Unframed: 32.2 x 39.2 cm (12 11/16 x 15 7/16 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Bequest of Noah L. Butkin