One squirrel perches on a branch nibbling a chestnut, while the other on ground is approaching a fallen chestnut. The painter used fine, short staccato strokes to simulate the animal’s soft fur, while the tree is depicted with broader wet strokes in a rougher manner.

Ge Shuying is known for his depictions of squirrels in a monochrome style characterized by crisp, decisive brushstrokes. He may have been a Chan (Zen) priest-painter, or perhaps a Daoist painter, active in the Hangzhou region of eastern China. From there his works spread to Japan, where squirrel paintings gained the attention of Japanese collectors.