Purification at the Orchid Pavilion

Description

By the 1600s, the historic gathering at Lanting, Zhejiang province, in 353 CE was a common theme in Chinese painting. Originally based on a composition attributed to Li Gonglin (1049– 1106), now lost, Wu school artists revived the theme.

Fan Yi, the brother of the artist Fan Qi from Nanjing, used delicate brushwork and luminous colors to depict the spring gathering.

Provenance

Tomioka Tessai 富岡鐵齋 [1837–1924]; Wong Kwan-Shut 黃君實 [b. 1934], Kansas City, Missouri, sold to the Cleveland Museum of Art (?–1977); The Cleveland Museum of Art, Cleveland, OH (1977–)

Purification at the Orchid Pavilion

Fan Yi

1671

Accession Number

1977.47

Medium

Handscroll; ink and color on silk

Dimensions

Image: 28.4 x 392.8 cm (11 3/16 x 154 5/8 in.); Overall: 29.8 x 763.3 cm (11 3/4 x 300 1/2 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Mrs. Wai-kam Ho and the Womens Council of The Cleveland Museum of Art