Description
Sometimes the scarcity of nature is just as significant as its abundance. Here, a tree that appears to be dying forms the backdrop for Eve, who covers herself in a pose associated with modesty in Classical sculpture. Her arms convey the shame of sin, a state of despair emphasized by her downward gaze. The dying tree also suggests paradise lost, the
inevitability of death. Daniel Hopfer was one of the first artists to use the etching technique, printing his works from iron plates, rather than copper, as became common later.
inevitability of death. Daniel Hopfer was one of the first artists to use the etching technique, printing his works from iron plates, rather than copper, as became common later.
Provenance
Wilhelm Koller [d. 1871], Vienna, Austria (Lugt 2632); with David Tunick, Inc., New York, NY (1975); The Cleveland Museum of Art, Cleveland, OH (November 29, 1975–)
Accession Number
1975.121
Medium
etching
Dimensions
Image: 28.7 x 11.3 cm (11 5/16 x 4 7/16 in.); Sheet: 28.7 x 11.3 cm (11 5/16 x 4 7/16 in.)
Classification
Credit Line
Delia E. Holden Fund