Virupa

Description

Virupa is one of the great teachers in the history of tantric Buddhism. His posture references his ability to stop the sun; as an enlightened being, he can control phenomena of nature. As a tantric practitioner, he overturns ordinary assumptions about proper behavior, so he overeats, drinks large quantities of liquor, and waits for the king to pay his bill at the tavern.

At the edge of the lotus pedestal is an inscription identifying the image as having been made in the imperial kilns of the third emperor of the Ming dynasty in China as a gift to a Tibetan monastic leader. While closely linked to Tibetan styles, the luxurious detailing, special gilding process, and the casting of the ornaments onto the body without use of inlay are specifically Chinese characteristics.

Provenance

Purchased from an Indian dealer in Kathmandu, Nepal (?–1965); (J. J. Klejman Gallery, New York, NY, sold to the Cleveland Museum of Art) (1965–1972); The Cleveland Museum of Art, Cleveland, OH (1972–)

Virupa

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early 1400s

Accession Number

1972.96

Medium

Gilt bronze with silver, stones, and pigment

Dimensions

Overall: 43.6 cm (17 3/16 in.)

Classification

Sculpture

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Mary B. Lee, C. Bingham Blossom, Dudley S. Blossom III, Laurel B. Kovacik, and Elizabeth B. Blossom, in memory of Elizabeth B. Blossom