The word vesperbild is the German word for pietà, the image of the Virgin Mary cradling her dead son on her lap. The theme has no literary source; it originated in Germany during the early 1300s and was more widespread in central Europe than in Italy. These devotional sculptures were used within the interior of a church, in small side chapels dedicated to the Virgin. As in this example, they often convey her grief in a sensitive way. For those who prayed before them, vesperbilds were poignant reminders of the Passion of Christ and the suffering of the Virgin.