This painting depicts a field around the hamlet of Oele in the eastern Netherlands, where Mondrian lived during the summer of 1907. The evocative mood created by the trees silhouetted against a twilight sky suggests that Mondrian’s search for spirituality was present before he began painting completely abstract or non-objective compositions in 1916. Guided by readings in metaphysics and philosophy, Mondrian sought to achieve a higher spiritual reality in his paintings, which eventually led him to eliminate all representational elements in favor of a style of pure geometric abstraction.