Abstract concentric circles depict water churned up by the gopis, or cowherd women, who are swimming and playing with joy and abandon. In their midst, the blue-skinned Krishna reaches for a gopi’s breast. Their love play is celebrated by celestial beings in the sky who offer flower garlands and beat on a drum. Every figure’s face is shown in profile—a hallmark of Indian painting of the early 1500s perpetuated by artists wishing to emphasize Indian rather than Persian depictions of the human form.