Terminus, the Device of Erasmus

Description

In the spirit of the Italian Renaissance, Erasmus of Rotterdam (c. 1466–1536), the celebrated Dutch humanist and scholar, embraced ancient Greek and Roman literature and incorporated much of its moral and ethical messages into his own work. Holbein here conflates Erasmus’s features with Terminus, the Roman god of boundaries, who defied Jupiter by maintaining his position atop Capitoline Hill. Erasmus adopted Terminus, along with the motto concedo nulli (I concede to no one), as a personal symbol for devotion and steadfastness.

Provenance

Charlotte Frank (London, England); Dr. and Mrs. Sherman Lee, by gift to the Cleveland Museum of Art, 1971. (-1971); The Cleveland Museum of Art, Cleveland, OH (1971-)

Terminus, the Device of Erasmus

Hans Holbein the Younger

c. 1532

Accession Number

1971.166

Medium

oil on wood

Dimensions

Framed: 32.4 x 32.4 x 4.5 cm (12 3/4 x 12 3/4 x 1 3/4 in.); Unframed: 21.6 x 21.6 cm (8 1/2 x 8 1/2 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Dr. and Mrs. Sherman E. Lee in memory of Milton S. Fox