Description
This portrait shows the Qianlong emperor at 26, in the first year of his reign. His likeness is followed by portraits of the empress and eleven consorts. Their portraits document the appearances of the court women around the time when they received their respective imperial titles, which occurred at different stages of the emperor's life. The first three portraits were done by the Jesuit (Roman Catholic) missionary artist Giuseppe Castiglione, whereas the later ones were by Chinese court painters.
Formal portraiture contributed to the affirmation of status and construction of role and identity. This scroll served as both familial documentation and a "mind picture" of the Qianlong emperor, suggesting that his constructed image of emperorship was inseparable from concepts of self and family. It was stored in a carved red lacquer box bearing the original painting title Mind Picture of a Well-Governed and Tranquil Reign (see CMA 1969.32).
Formal portraiture contributed to the affirmation of status and construction of role and identity. This scroll served as both familial documentation and a "mind picture" of the Qianlong emperor, suggesting that his constructed image of emperorship was inseparable from concepts of self and family. It was stored in a carved red lacquer box bearing the original painting title Mind Picture of a Well-Governed and Tranquil Reign (see CMA 1969.32).
Provenance
Qing imperial collection (seals of Emperor Qianlong, r. 1736–1795) (1736–?); (Hôtel Drouot, Paris, France. December 17–18, 1928 sale. Lot 329) (December 17–18, 1928); (Spink & Son, Ltd., London, sold to the Cleveland Museum of Art) (by 1966–1969); The Cleveland Museum of Art, Cleveland, OH (1969–)
Accession Number
1969.31
Medium
Handscroll; ink and color on silk
Dimensions
Overall: 53.8 x 1154.5 cm (21 3/16 x 454 1/2 in.); Painting only: 53 x 688.3 cm (20 7/8 x 271 in.)
Classification
Painting
Credit Line
John L. Severance Fund
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