Description
Chan Buddhism was introduced to China in the early 500s by the Indian monk Bodhidharma, or Puti Damo (died before 534). Upon his arrival in China, Bodhidharma was allegedly granted an audience with the Liang dynasty emperor Wu (reigned 502–49). Realizing the emperor did not understand his mission, the monk left Nanjing, crossed the Yangzi on a reed, and settled north in Henan province’s Shaolin monastery. Here, Bodhidharma is sketched in few pale brushstrokes. The diluted and swift lines on an empty ground emphasize the Chan idea that all things are illusionary.
The inscription reads: Wind rises from the reed flowers, the waves are high; It’s a long way to go beyond the cliff of the Shaoshi mountain; Above the worlds of kalpas a flower is opening into five petals; So that your barefoot heels are just fine for the whipping rattans. —translated by Wai-Kam Ho
The inscription reads: Wind rises from the reed flowers, the waves are high; It’s a long way to go beyond the cliff of the Shaoshi mountain; Above the worlds of kalpas a flower is opening into five petals; So that your barefoot heels are just fine for the whipping rattans. —translated by Wai-Kam Ho
Provenance
Okazaki Masaya 岡崎正也 [late 1800s-early 1900s], Tokyo, Japan; Yamamoto Yoshiaki 山本義章 [early 1900s], Tokyo, Japan; Fujī Noriyoshi 藤井德義 [1900s], Osaka, Japan; (N. V. Hammer, Inc., New York, NY, sold to the Cleveland Museum of Art) (?-1964); The Cleveland Museum of Art, Cleveland, OH (1964-)
Accession Number
1964.44
Medium
hanging scroll; ink on paper
Dimensions
Painting only: 91.1 x 36.5 cm (35 7/8 x 14 3/8 in.); Overall: 175 x 38.5 cm (68 7/8 x 15 3/16 in.); Overall with knobs: 175 x 43 cm (68 7/8 x 16 15/16 in.)
Classification
Painting
Credit Line
John L. Severance Fund