The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night

Description

This painting illustrates a story about a merchant who owned a donkey but did not have enough money to feed him. He was able to secure a tiger’s skin, in which he dressed his donkey at night, so he could forage freely in fields, frightening away the owners’ watchmen, seen here scrambling up in trees for safety. He succeeded for a time and grew fat and healthy, until a nearby donkey brayed, and he instinctively answered, revealing his true identity.

Provenance

Estate of Breckinridge Long [1881–1958], Bowie, MD (?–1959); (Harry Burke Antiques, Philadelphia, PA) (1959–1962?); (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) (1959?–1962); The Cleveland Museum of Art, Cleveland, OH (1962–)

The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night

Basavana

c. 1560

Accession Number

1962.279.207.a

Medium

gum tempera, ink, and gold on paper

Dimensions

Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Mrs. A. Dean Perry