Description
This painting illustrates a story about a merchant who owned a donkey but did not have enough money to feed him. He was able to secure a tiger’s skin, in which he dressed his donkey at night, so he could forage freely in fields, frightening away the owners’ watchmen, seen here scrambling up in trees for safety. He succeeded for a time and grew fat and healthy, until a nearby donkey brayed, and he instinctively answered, revealing his true identity.
Provenance
Estate of Breckinridge Long [1881–1958], Bowie, MD (?–1959); (Harry Burke Antiques, Philadelphia, PA) (1959–1962?); (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) (1959?–1962); The Cleveland Museum of Art, Cleveland, OH (1962–)
The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
Basavanac. 1560
Accession Number
1962.279.207.a
Medium
gum tempera, ink, and gold on paper
Dimensions
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.)
Classification
Painting
Credit Line
Gift of Mrs. A. Dean Perry