The Immaculate Conception

Description

The doctrine of the Immaculate Conception maintains that the Virgin Mary was conceived free from sin, therefore ready to be the pure vessel for Christ’s birth. The Immaculate Conception enjoyed intense devotion in Spain during the 1600s, although it was only accepted as official doctrine in 1854. The abstract subject required artists to develop appropriate imagery. The crescent moon, for example, comes from the New Testament vision of Saint John the Evangelist (Revelation 12:1) of “a woman clothed with the sun, with the moon under her feet.”

Provenance

Sir Thomas Sebright, Beechwood near Boxmoor, Hertfordshire; [F. Kleinberger &: Co., New York]. Purchase, Leonard C. Hanna Jr. Bequest, 1959.

The Immaculate Conception

Bartolomé Esteban Murillo

c. 1680

Accession Number

1959.189

Medium

oil on canvas

Dimensions

Framed: 246.3 x 152.7 x 8 cm (96 15/16 x 60 1/8 x 3 1/8 in.); Unframed: 220.5 x 127.5 cm (86 13/16 x 50 3/16 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Leonard C. Hanna Jr. Fund