Description
The dragon and tiger are tied to the philosophical concept of yin and yang, which describes opposite but complementary forces. The dragon occupies a tiered background of waves and mist. Its luminous head emerges from the darker passages, and its narrow twisting body is serpent-like. By contrast, the close-up view of the tiger emphasizes its bulk. The tiger bends its head to lick its paw while its tail curls in the foreground.
In their original Chan Buddhist context, this pair of scrolls likely flanked a central image, like the Bodhisattva Guanyin. The silk has darkened over the centuries, and the slight reddish shading in the tiger’s tongue and nose has faded.
In their original Chan Buddhist context, this pair of scrolls likely flanked a central image, like the Bodhisattva Guanyin. The silk has darkened over the centuries, and the slight reddish shading in the tiger’s tongue and nose has faded.
Provenance
Ashikaga Yoshimitsu 足利義滿 [1358–1408]; Ashikaga Yoshinori 足利義教 [1394–1441] or Ashikawa Yoshimasa 足利義政 [1436–1490] (Zakka shitsu yin 雜華室印) (1400s); Tokugawa Iemitsu 德川家光 [1604–1651] (1600s); Viscount Sakai 子爵 酒井氏 [late 1800s–early 1900s]; (Howard Hollis and Company, Cleveland, OH, sold to the Cleveland Museum of Art) (?–1958); The Cleveland Museum of Art, Cleveland, OH (1958–)
Accession Number
1958.427.2
Medium
Hanging scroll; ink and slight color on silk
Dimensions
Painting: 125.2 x 57.2 cm (49 5/16 x 22 1/2 in.); Overall with knobs: 227.1 x 78 cm (89 7/16 x 30 11/16 in.)
Classification
Painting
Credit Line
Purchase from the J. H. Wade Fund