Mountainous Landscape

Provenance

Mathias Komor, New York (Lugt 1882a, verso, lower left, in blue ink)

Mountainous Landscape

Nicolaes Berchem

c. 1680

Accession Number

1958.410

Medium

brush and black ink, brush and gray wash, and black chalk; framing lines in black and brown ink

Dimensions

Sheet: 30.4 x 52 cm (11 15/16 x 20 1/2 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Delia E. Holden Fund

Tags

Drawing Baroque (1600–1750) Ink Dutch

Background & Context

Background Story

Nicolaes Berchem (1620-1683) was a Dutch painter known for the Italianate landscapes that make him one of the most important painters of the Dutch Italianate school. Mountainous Landscape from c. 1680 depicts a mountainous landscape in the warm, golden Italianate manner that distinguishes Berchem's best landscapes from the more tonal landscape painting of his Dutch contemporaries. The c. 1680 date places this in Berchem's mature period, when he was producing the warm, golden Italianate landscapes that are his most accomplished works.

Cultural Impact

Mountainous Landscape is important in the history of Dutch Italianate landscape painting because it demonstrates the warm, golden manner that Berchem brought to Italianate subjects as one of the most important painters of the Dutch Italianate school. Berchem's Italianate landscapes—combining warm, golden light with mountainous Italian scenery—represent the Dutch Italianate tradition at its most accomplished, and the c. 1680 painting shows this tradition at its most popular and influential.

Why It Matters

Mountainous Landscape is Berchem's warm Italianate manner: a mountainous landscape rendered in the golden, atmospheric light that distinguishes one of the most important painters of the Dutch Italianate school. The c. 1680 painting shows the Italianate landscape tradition at its most popular—warm, golden, and atmospheric.