In this imaginative composition, Meckenem combines John the Baptist’s beheading with a courtly promenade. The religious narrative’s gruesome episodes occur in the background, where Salome collects the saint’s severed head on a platter and then presents it at Herod’s banquet table. Salome appears a third time in the foreground, where she dances with a lusty suitor who grabs her waist instead of politely holding her hand.