Description
This is one of several views Monet painted of the cliffs and sand flats of Pourville, a small fishing village on the Normandy coast of France. The title indicates a momentary stage in the continuous cycle of nature, just as the quick, spontaneous application of paint reflects Monet's efforts to capture shifting effects of light, weather, and tide. The paint layers under the beach indicate that this part of the composition originally depicted water, as would have been appropriate for a depiction of high rather than low tide. Similar changes were made in the clouds during the painting process.
Provenance
Possibly bought from the artist in 1882 by Durand-Ruel, Paris, France (this information from the Wildenstein catalogue raisonné cannot be confirmed by Durand-Ruel as their files on this matter are not conclusive). (?1882); Henry White Cannon [1850-1934], New York, NY, 1899. (1889); Mrs. Henry White Cannon [1861-1954] New York, NY, given to the Cleveland Museum of Art (1947); The Cleveland Museum of Art, Cleveland, OH (1947-)
Accession Number
1947.196
Medium
oil on fabric
Dimensions
Framed: 65.4 x 106.7 x 10.5 cm (25 3/4 x 42 x 4 1/8 in.); Unframed: 59.9 x 81.3 cm (23 9/16 x 32 in.)
Classification
Painting
Credit Line
Gift of Mrs. Henry White Cannon