Description
Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river. The blaze burned uncontrollably for hours.
J. M. W. Turner records the struggle as the boats in the lower-right corner head toward the flames. Although Turner based the painting on an actual event, he magnified the height of the flames, using the disaster as the starting point to express man’s helplessness when confronted with the destructive powers of nature. Brilliant swathes of color and variable atmospheric effects border on abstraction.
J. M. W. Turner records the struggle as the boats in the lower-right corner head toward the flames. Although Turner based the painting on an actual event, he magnified the height of the flames, using the disaster as the starting point to express man’s helplessness when confronted with the destructive powers of nature. Brilliant swathes of color and variable atmospheric effects border on abstraction.
Provenance
Bought from the artist by John Garth Marshall [1765-1845], Headingly House, Leeds, United Kingdom, and by descent.; (Christie's, London, United Kingdom, April 28, 1888, under the name of Ponsford. (1888); Descended in the Marshall family through Victor Marshall of Mark Coniston to James Marshall.; (Leicester Gallery, London, United Kingdom, 1920, sale; but returned to owner) (1920); (Knoedler, London, United Kingdom, 1922, sold to John L. Severance) (1922); John L. Severance [1863-1936], Cleveland, OH, by bequest in 1936 to the Cleveland Museum of Art (1922-1936); The Cleveland Museum of Art, Cleveland, OH (1942-)
Accession Number
1942.647
Medium
oil on canvas
Dimensions
Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)
Classification
Painting
Credit Line
Bequest of John L. Severance