Two Swiss mercenaries and a woman meet outside a city at a prominent tree. The woman’s immodest dress, glance, and proximity to a money bag imply that she is sexually available, as does the soldier’s suggestively placed sword. Death makes an appearance as a skeleton, conjoining sin with death (for it was believed that overindulgence in carnal love led to peril). The Swiss Confederacy during the 1500s was a culture of mercenary warfare. Women traveled with regiments of soldiers, earning meager wages as servants, cooks, or sex workers. Urs Graf, a soldier himself, made many images
ridiculing the situation.