Description
The seemingly weightless figures, the startling color combinations, and the moody, imprecise setting all show El Greco’s interest in conveying the intense spirituality of these figures rather than their concrete reality. Above all, the painting addresses Mary’s role as mediator between Christ and the viewer. She supports her son, but her faraway look indicates awareness of his fate. Mary feeds Jesus fruit held by Joseph that is full of symbolic meaning, with the apple representing the fall of man; cherries, the blood of Christ; peaches, salvation; and pears, the sweetness of Christ’s virtue.
Provenance
Convent of Esquivias, near Toledo; Juan Gutiérrez, Torrejón de Velasco, Spain (-1899); Stanislas O'Rossen (1864-1933), Paris, France (-1908); Marczell von Nemes (1866-1930), Budapest, Hungary, sold, Paris (-1913); Gentile di Giuseppe (1868-1940), Paris, France (-1917); (D. Atri, Paris, France, sold to the Cleveland Museum of Art) (-1926); The Cleveland Museum of Art, Cleveland, OH (1926-)
Accession Number
1926.247
Medium
oil on canvas
Dimensions
Framed: 160 x 131 x 7.5 cm (63 x 51 9/16 x 2 15/16 in.); Unframed: 130 x 100 cm (51 3/16 x 39 3/8 in.)
Classification
Painting
Credit Line
Gift of the Friends of The Cleveland Museum of Art in memory of J. H. Wade