A pinnacle of sculpture in the generation after Michelangelo was Giambologna’s Abduction of the Sabine Women, depicted here in a contemporaneous print by Andrea Andreani. Giambologna created a twisting harmony of three forms that capture the narrative of a Roman male abducting a Sabine woman and vanquishing a Sabine male below. Giambologna’s sculpture was installed in Florence in the public piazza near Michelangelo’s David.