Plank Mask

Description

The size and weight of this butterfly-shaped mask required great strength and skill from its performer. Worn with a costume of long raffia fibers, Bwa masks of different types typically appear in the dry season at community events, such as men’s and women’s initiations, annual renewal ceremonies, burials, and market days.

The geometric patterns on this mask’s surface have been interpreted in different ways in accordance with a viewer’s depth of knowledge. The deeply incised concentric circles can be read as eyes or as rippling pools of water around which butterflies appear in the spring. The hooked nose-like protrusion above the mouth-like opening has been described as a reference to the circumcised penis of a newly initiated boy, and also as the beak of the hornbill, a bird that the Bwa associate with magical powers.

Provenance

Maurice Nicaud (died 2004), Paris; sold to Marceau Rivière, Paris, about the 1980s; sold to Merton Simpson (died 2013), Merton D. Simpson Gallery, New York, N.Y., about the 1980s; on consignment to Donald Morris Gallery, Birmingham, Mich., 1992; sold to Ruth Wainger Hurwitz (Mrs. Solomon C. Hurwitz), Bloomfield, Mich., 1992; by inheritance to her children, 2000; on consignment to John Buxton, Shango Galleries, Dallas, Tex., 2008; sold to the Art Institute, 2008.

Plank Mask

Bwa

Early/mid–20th century

Accession Number

197585

Medium

Wood and pigment

Dimensions

52.1 × 238.8 × 26.7 cm (20 1/2 × 94 × 10 1/2 in.)

Classification

masks

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Charles H. and Mary F. Worcester Collection Fund